Embedded Files
Two Men in a Red Hat
Two Men in a Red Hat
Acrylic on Canvas, 12" x 12", 2015, NFS (legacy collection)
Companion Reproductions will soon be available.
Two Men in a Red Hat is a study in convergence. At first glance, the viewer sees a chaotic burst of color and geometry, but the title invites a deeper dissection. Underneath the brim of a single red hat, two distinct personalities fight for dominance. One profile looks left, smoking in contemplation, while a second, wide-eyed visage stares outward, engaging the viewer directly. The piece uses the language of Cubism not just to deconstruct the face, but to merge two narratives into one shared space. It is a humorous and vibrant depiction of closeness, suggesting that we are often a collage of complex inner selves.
What Thought Looks Like
What Thought Looks Like
Acrylic on Illustration Board, 18" x 24", 2024, NFS (legacy collection)
Companion Reproductions will soon be available.
What Thought Looks Like is an attempt to map the invisible mechanics of the mind. Moving away from representation, geometry is employed to visualize how ideas are constructed, deconstructed, and connected. The composition balances rigid vertical structures—anchors of logic—with overlapping circles and sweeping curves that represent the fluidity of imagination. The striated patterns and intersecting planes suggest that a thought is not a singular event, but a complex layering of memory, emotion, and reason, all occurring simultaneously.
Urban Pulse
Urban Pulse
Acrylic on Illustration Board, 18" x 24", 2024, NFS (legacy collection)
Companion Reproductions will soon be available.
Urban Pulse is a visualization of sensory overload—a study of light, sound, and speed in a dense environment. The overall composition is defined by thick, high-contrast black lines, which serve to separate and intensify the surrounding fields of color, reminiscent of stained glass or cloisonné. The background is animated by rhythmic, horizontal bars of color that create a visual frequency or 'noise,' suggesting a chaotic, non-stop motion. The central, dominant teardrop form acts as a focal point, containing a burst of pure, dynamic color. The deliberate inclusion of metallic silver and glitter underscores the theme of artificial spectacle, capturing the dazzling, yet overwhelming, intensity of neon and man-made light.
Hemispheric Separation
Hemispheric Separation
Acrylic on Canvas, 24" x 36", 2024, NFS (legacy collection)
Companion Reproductions will soon be available.
Hemispheric Separation is a profound visualization of the internal tension between our two primary modes of thought. The canvas is sharply divided, illustrating a dramatic opposition between the fluid and the structured. The dominant, sweeping arcs of red and luminous yellow on the left represent the expansive energy of the right hemisphere—creativity, emotion, and intuition. This subjective force is set in stark contrast to the complex, cool-toned geometric clusters on the right, which embody the analytical, sequential nature of the left hemisphere—logic, structure, and reason. The decisive vertical line marks the boundary, capturing the constant, dynamic exchange where these two opposing forces meet, coexist, and ultimately define our conscious reality.
Urban Synapse
Urban Synapse
Acrylic on Canvas, 12" x 12", 2025, NFS (legacy collection)
Companion Reproductions will soon be available.
Urban Synapse a study in geometric balance and the tension between mass and lightness. The composition relies on the convergence of two fundamental shapes: the stability of the triangle and the infinite motion of the circle. I used a contrasting palette—vibrant primaries against muted beige—to delineate different zones or systems within the map. The resulting piece serves as a visual framework, inviting the viewer to chart their own course through its carefully constructed, yet mysterious, universe.
Signal in the Noise
Signal in the Noise
Acrylic on Illustration Paper, 24" x 36", 2024, NFS (legacy collection)
Companion Reproductions will soon be available.
Signal in the Noise is an investigation into the human necessity of finding clarity amidst sensory and informational overload. The composition visually maps this theme: the background is densely packed with intricate, fragmented geometric shapes and areas of heavy texture, all acting as the visual 'noise.' These granular fields and complex color shifts mirror the chaotic data stream we navigate daily. In striking contrast, clean, simple geometric elements—particularly the pure white focal points and smooth, defined circles—cut through the density to serve as the unmistakable 'signal.' This work asks the viewer to actively engage in the process of discernment, highlighting the moment when meaningful information is extracted from a torrent of energetic interference.
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