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The Dreamers Series explores imagined worlds built from geometry, symbolism, and engineered wonder. These paintings reveal the inner architecture of aspiration — places where possibility, curiosity, and invention take shape.
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Stage
Stage
Acrylic on Gallery Canvas, 20 x 20 inches
Stage is a geometric city arranged like a quiet theatrical set, its structures poised in deliberate balance. The moonlit forms hold a moment of anticipation, as if the scene is waiting for something to begin.
Processing
Processing
Acrylic on Gallery Canvas, 20 x 20 inches
Processing is a dense geometric construction where circles, arcs, planes, and intersecting vectors operate like components of an internal machine. The composition feels alive with quiet calculation — shapes overlap, align, and counterbalance one another in a way that suggests a system sorting itself out in real time. Soft blues, browns, greens, and purples create a calm but highly structured atmosphere, while the central circular forms act as the painting’s cognitive core.
Beneath the geometric architecture, a field dotted with colored spheres anchors the composition to a grounded, almost landscape‑like space. Above, a pale disc in the sky introduces a celestial or computational reference point, reinforcing the sense that the painting is both a diagram and a world.
The result is a visual environment where order emerges from complexity. Processing captures the moment when structure begins to cohere — when disparate elements align into a system that feels inevitable, intentional, and quietly alive.
Dreamers
Dreamers
Acrylic on Gallery Canvas, 20 x 20 inches
Dreamers unfolds as a layered geometric landscape where celestial forms, engineered structures, and quiet terrestrial elements share a single dreamlike field. Circles, arcs, and intersecting planes suggest orbital paths and the invisible mathematics of the cosmos, all anchored by a small, understated rocket that nods to the Space Coast’s culture of aspiration and exploration.
Below, a grassy field dotted with colored spheres grounds the composition, balancing the upward pull of the celestial architecture.
The result is a painting about curiosity and possibility — a visual system that captures the inner architecture of the people who watch the launches, rather than the launch itself.
What Thought Looks Like
What Thought Looks Like
Acrylic on Illustration Board, 18" x 24", 2024, NFS (legacy collection)
What Thought Looks Like is an attempt to map the invisible mechanics of the mind. Moving away from representation, geometry is employed to visualize how ideas are constructed, deconstructed, and connected. The composition balances rigid vertical structures—anchors of logic—with overlapping circles and sweeping curves that represent the fluidity of imagination. The striated patterns and intersecting planes suggest that a thought is not a singular event, but a complex layering of memory, emotion, and reason, all occurring simultaneously.
Hemispheric Separation
Hemispheric Separation
Acrylic on Canvas, 24" x 36", 2024, NFS (legacy collection)
Hemispheric Separation is a profound visualization of the internal tension between our two primary modes of thought. The canvas is sharply divided, illustrating a dramatic opposition between the fluid and the structured. The dominant, sweeping arcs of red and luminous yellow on the left represent the expansive energy of the right hemisphere—creativity, emotion, and intuition. This subjective force is set in stark contrast to the complex, cool-toned geometric clusters on the right, which embody the analytical, sequential nature of the left hemisphere—logic, structure, and reason. The decisive vertical line marks the boundary, capturing the constant, dynamic exchange where these two opposing forces meet, coexist, and ultimately define our conscious reality.
Urban Synapse
Urban Synapse
Acrylic on Canvas, 12" x 12", 2025, NFS (legacy collection)
Urban Synapse a study in geometric balance and the tension between mass and lightness. The composition relies on the convergence of two fundamental shapes: the stability of the triangle and the infinite motion of the circle. I used a contrasting palette—vibrant primaries against muted beige—to delineate different zones or systems within the map. The resulting piece serves as a visual framework, inviting the viewer to chart their own course through its carefully constructed, yet mysterious, universe.
Two Men in a Red Hat
Two Men in a Red Hat
Acrylic on Canvas, 12" x 12", 2015, NFS (legacy collection)
Two Men in a Red Hat is a study in convergence. At first glance, the viewer sees a chaotic burst of color and geometry, but the title invites a deeper dissection. Underneath the brim of a single red hat, two distinct personalities fight for dominance. One profile looks left, smoking in contemplation, while a second, wide-eyed visage stares outward, engaging the viewer directly. The piece uses the language of Cubism not just to deconstruct the face, but to merge two narratives into one shared space. It is a humorous and vibrant depiction of closeness, suggesting that we are often a collage of complex inner selves.
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